I refer to the cover of Newsweek today and the series of articles on the cultural phenom of the iPod for today's blog entry.
The magic of the iPod, they say, is that people can carry their entire music collection around with them - everything they like in one place (total control) but that it can come to them in a random fashion (no control).
Jazz might be followed by Reggae, followed by pop, followed by Mozart, followed by the one surprise country western song by Johnny Cash that you always secretly liked but wouldn't admit to in a crowd.
So, the perimeters are set by you, but the surprise comes from the machine. The safety is set by you, but the risk comes in not knowing exactly what is coming or when. There is both safety and surprize.
This is good brain science. We crave the experience that this product provides, because it gives the brain what it needs - both safety and surprise.
Rats Brains & the Future of Worship
The brain, above all, strives to survive. It needs safety in order to function. The human brain, however, also loves the novel, the new, the shocking. It needs stimulation in order to learn, grow, branch out, and thrive. Rats in a toy-filled cage with lots of companions will grow 20% more brain mass than rats in an empty cage. Rats in nature, surrounded by the novel, the unexpected will grow even more. Rats in a crowded cage where everyone is pushing them around and fighting for a limited food supply will withdraw.
Too much surprise and we shut down. Too little and we don't grow.
So, what do the iPod's wide-spread acceptance and rats brains have to do with worship? With education? With the future?
The iPod has changed our options, which has changed our expectations, which has change what surprises us, which will change us.
Technology has already changed our delivery systems:
*From atoms which you can control (albums, tapes and cds on a store shelf) to bits which you can't control (MP3s downloaded from Napsters)
*From the huge wall-sized stereo component system and shelving units of albums to something you can now fit in your shirt pocket
*From the rich concept of the whole (listening to every song a band put on an album and getting to know the band better) to the rich concept of taking only what you want from them and moving on.
I pause and digress wondering what this concept alone will do to dating in the future. Maybe dating a whole lot of people at a time will one day be standard and accepted. Maybe it already has. (I'm old. I don't know)
What will it do to cafeteria Catholicism? Maybe accepting four things your church teaches while rejecting three will be kosher to everyone but the church leadership.
What will it do to the concept of church membership? Maybe attending five churches at once will be the norm: one for good preaching, one for good old-fashioned liturgy, one for good adult education, one for the kids.
What will it do to worship? Maybe worship that draws people will be a mosaic of sight and sound, smells and bells, high tech and high touch, private time and small group time, listening and sharing.
And what of the concept of a sermon? Maybe it won't be one album by the same artist week after week.
Maybe the entire worship experience will be the sermon, including an "album" of many "songs" with many textures and artists coming to you in a random, yet safe, order. Maybe the sermon will start with energy music one week, and chant the next, and a polka the next. Maybe it will start with someone other than the preacher sharing a faith story. Maybe a random skit that fits into the theme (but won't be explained) comes next. Maybe a team will enter to teach toward the text with some art, some movement, some questions, some Images & Analogies. Maybe a quick quiz will follow using key theme words so everyone from greatest to least will understand what you're talking about.
Maybe then the Bible will be opened and highlighted, taught, discussed. This might be the only "song" the preacher sings on this album. All the other "songs" are sung by someone else.
And maybe the job of the preacher changes from singing all the songs, to gathering an ensemble of artists to provide the surprises and delights, provides safety and novelty, and sends you on the way with an MP3 of the service to add to your collection.
I'd enjoy feedback and insights from the iPod addicts out there on how you think the iPod phenom has already changed you.
Rich